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April
19, 2007
HHS
senior sees bright future
Jessica
Espinoza, senior at Hays High School (HHS), has participated in
more singing and acting productions throughout her school career
than the average student.
She
has been singing “since forever” and is happy to be involved
in so many theater activities, even though each one requires time
outside the school day in rehearsals and practices, because “I
don’t consider it work.”
And
though she clearly enjoys talking about the roles she has played
and the parts she has sung, she’s not so comfortable talking
about the accolades. Invariably, she will tell you about her
friends’ and fellow cast members’ successes. She recalls as
easily as her own, their awards and recognition.
Deflecting
praise is something Jessica is as adept at as learning new parts,
noting the “victories for all of us. The best feeling is riding
home on the bus after a successful competition.”
Though
she has received plenty of recognition, including: All Region
Choir in 2006 and 2007; Organization of American Kodály National
(OAKE) Honor Choirs for many years; 1st Division
ratings throughout high school in UIL Solo and Ensemble
competition; and Sweepstakes trophies as part of choirs in UIL
Concert and Sightreading competition.
Winning
sightreading competition is particularly unique in that Jessica is
blind.
“She
works so hard on her music,” said Nancy Cavendish, HHS Choir
Director. “Other students can, of course read the music. Jessica
has to listen to it as we are learning it and memorize not only
the words, but her part, which is alto. The alto part is not the
melody line and is much harder to learn.”
Students
are selected for the OAKE National Choirs, in part, based on
audition tapes.
For
her tape this year, Jessica said, she had to concentrate on
“keeping my pitch. You can’t bust out. You have to keep your
voice restrained. This, most-decidedly, is not about you.”
Holding
back is one of Jessica’s challenges, she’ll admit.
“As
a singer I have to learn to listen,” she said. “If I listen, I
understand the part better.”
“Jessica
never takes offense if I ask her to sing softer or if I have any
other suggestions,” Mrs. Cavendish said. “She is always upbeat
and extremely polite and concerned about others. She is one of the
most special students I have ever had. She is easily one of the
most ‘teachable’ students I have ever had.”
Musicals,
which blend the singing and acting, capture Jessica’s interests.
She was Glenda the Good Witch in Wizard
of Oz as a sophomore, had a lead role in Oklahoma!
and a part in this year’s production of Bye
Bye Birdie.
“I’ve
been a fan of musicals all my life,” she said, adding the
intense rehearsals are one of the genre’s biggest draws. “The
thing about musicals is the combined, huge efforts from everyone.
Costumes and sets from the art department, band students theater
students…it is a massive achievement for everyone.”
Opera
and musical theater have so much to offer, she says.
“The
oldest opera can relate to the youngest person,” she said.
“The basic emotion is always there. It’s the same with musical
theater.”
Because
the turnaround time for Braille scripts and music “is
abysmal,” Jessica relies on computers and her mother to get the
scripts ready for her to memorize. Her mother, HHS teacher Kerri
Espinoza, scans the written scripts into the computer and emails
it to Jessica’s computer, which has a program that translates
the script into Braille.
“I
try to learn as much of the script (not just one part), as
possible through gradual memorization,” she said. “You can’t
cram it. You have to learn a little at a time. Once you’ve
learned the one little part, you can move on.”
This
process takes “ages if you’re doing it by yourself,” she
said.
Birdie
was unique for Jessica because she didn’t score a lead role. But
as she has done repeatedly throughout her young life, she turned
that initial disappointment into a success.
“It
was the most fun I’ve had in a role in my life,” she said.
“It was surprisingly difficult for being pure comedy. I tried to
pull back on my character, and in the end it was rewarding to do
the role and do it right.”
Birdie
was especially nostalgic, she said, because it began a “series
of lasts.”
“I
can’t stand to say goodbye,” she said. “I’m ready to leave
high school, but I’m not ready to leave theater. I have been
seeing the same people for forever. For two months we become a
family. And we become great friends, too. It’s not just about
the play.”
College
is terrifying, she says, but she’s excited about being accepted
in the music program at Southwestern University in Georgetown.
“I’m
terrified I will not be able to meet college standards,” she
said. “What if I’m not strong enough?”
“I
will miss her terribly next year, but I am so excited she will be
going to Southwestern,” Mrs. Cavendish said. “I think it is a
perfect fit for her. I went with her to her audition and it is a
beautiful old campus with a small student-teacher ratio. It is a
highly ranked liberal arts college with an outstanding music
department.”
Jessica’s
intelligence, eloquence and generosity have served her well. When
asked about potential feelings of isolation from her disability,
though, she loses patience.
“The
stereotype for disabled people is that they’re brooding, alone,
attached to a computer. Blind people bend way too easily to that
stereotype,” she said. “You have to make the extra effort to
get out there and make friends. “That stupid barrier of
difference is so easy to get past.”
A
sense of humor helps, she says, as well as an ability “to take
it in stride. Teflon. You have to be Teflon. Things still bother
me, but they don’t go to my center like they used to.”
Clearly.
She draws into that “Teflon” when describing one of her early
acting experiences in the one-act play, The
All Seeing Eye.
“It’s
ironic,” she smiles. “I was the voice of the telescreen, which
was a giant eyeball.”
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